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 The Rolang Rite, Tibetan necromancy
flyingmojo
post Nov 11 2005, 03:51 AM
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The Corpse Who Dances


Another mysterious rite is called rolang (the corpse who stands up). Traditions and ancient chronicles relate that, before the introduction of Buddhism into Tibet, it was practiced by the Bönpo shamans during the funeral ceremony. However, the brief movement made by a dead body in such circumstances cannot be compared with what happens in the course of the horrible and grotesque têtê-à-téte that Tibetan occultists depict.

There exist several kinds of rolang. These must not be mistaken for the trong jug
(Written grong hjug.)
rite which causes the " spirit " of another being to pass into a corpse and apparently resuscitate it, though the corpse is not animated by its original occupant.

One of these lugubrious rolang was described to me as follows by a ngagspa who said he had practiced it himself.

The celebrant is shut up alone with a corpse in a dark room. To animate the body, he lies on it, mouth to mouth, and while holding it in his arms, he must continually repeat mentally the same magic formula
(This differs according to the masters.)
excluding all other thoughts.

After a certain time the corpse begins to move. It stands up and tries to escape; the sorcerer, firmly clinging to it, prevents it from freeing itself. Now the body struggles more fiercely. It leaps and bounds to extraordinary heights, dragging with it the man who must hold on, keeping his lips upon the mouth of the monster, and continue mentally repeating the magic words.

At last the tongue of the corpse protrudes from its mouth. The critical moment has arrived. The sorcerer seizes the tongue with his teeth and bites it off. The corpse at once collapses.


Failure in controlling the body after having awaked it, means certain death for the sorcerer.

The tongue carefully dried becomes a powerful magic weapon which is treasured by the triumphant ngagspa.

The Tibetan who gave me these details described most vividly the gradual awakening of the corpse: the first conscious look which brightened its glazed eyes and its feeble movements slowly growing in strength until he became unable to prevent the agitation of the jumping monster and needed all his strength to hold it. He described his sensations when he could feel the tongue issuing from the mouth of the corpse and touching his own lips, and realized that the terrible moment had come when, if he failed to conquer it, the horrible being would kill him.

Had that fantastic struggle not been purely subjective? Had it not taken place during one of these trances which are frequently experienced by Tibetan naljorpas, which they also voluntarily cultivate? I doubted and asked to see "the tongue." The sorcerer showed me a desiccated blackish object which might have been " a tongue," but it was not sufficient to prove the origin of the hideous relic.

Be that as it may, numbers of Tibetans believe that the rolang rite really takes place.

Beside corpses being revived by special rites, Tibetans believe also that any corpse is liable to rise suddenly and harm the living. It is for this reason that dead bodies are continually watched by some one who recites the liturgic words which prevent that sham resurrection.

A trapa from Sepogön in the vicinity of the Salween told me the following story.

While still a boy novice, he had accompanied three lamas of his monastery to a house where a man had died. There the lamas were to perform the daily rite for the dead till the day appointed to carry the corpse to the cemetery. At night they had retired to sleep in a corner of the large room where the body was kept, tied up in a seated posture with many scarves and swathed in clothes.

" The charge of reciting the magic formulas had

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been entrusted to me. In the middle of the night I was overcome with the continuous wearisome repetition and may have dozed a few minutes. A small noise awaked me! a black cat passed by the corpse and went out of the room. Then I heard a kind of cracking noise like tearing cloth, and to my horror I saw the dead body moving and freeing himself from his bands. Mad with fright, I ran out of the house but before I had escaped from the room I saw the ghost stretching out one hand and creeping upon the sleeping men.

" In the morning the three men were found dead; the corpse had returned to his place but the scarves were torn and the clothes lay on the floor around him."

Tibetans have great faith in such stories.

The touch of the rolang is mortal and the mischievous ghost does not fail to lay his hand on all who are within his reach: only the lamas who perform the rites of the dead are said to know magic words and gestures which avert that danger, by controlling the corpse and causing it to sit back if it attempts to move.

We are also told of rolangs which escape fom the house where they have revived and roam about the country. Again, others are said to disappear without leaving any trace.

One could fill numbers of books with the stories one hears about rolangs among the good people of Tibet.

From Alexandra David-Neel's
"With Mystics and Magicians in Tibet"
------

Just felt in the mood to share this strange and fascinating tid-bit. Creepy... (IMG:style_emoticons/default/fear.gif)


--------------------
"The most beautiful thing we can experience is the mysterious. It is the source of all true art and all science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed."
Einstein

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flyingmojo
post Nov 11 2005, 11:09 PM
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After a bit of thought, I realized that the rite, appearing at first quite revolting, is actually a really profound practice.
So I want to offer my interpretation, based on my own knowledge of Tibetan spirtuality.
(IMG:style_emoticons/default/mf_bookread.gif)

First off, the charnal gound and cemetary has a very important place in Tibetan symbolism. It represents the "impermanence of all phenomena". All that is relative in the universe (and this basically means everything) is impermanent and illusory. So a corpse dug up from a cemetary is one's own self, the ego, that which is illusory, impermanent and insubstantial.

"Excluding all other thoughts" is important here, signifying that the practitioner is in a state of samadhi, at-one-ness with the intended mantra, the mantra being, as all Buddhist mantras are, a natural expression of and vhicle to the vajra state: the unborn, undying, nature of all reality.

So there's a sepration taking place between one's own (or some aspect of) selfhood and one's Budhha nature. And the vajrayana path, the mantric/magickal path of Buddhism, views the selfhood and its relative/confused/deluded/poisonous states not as something to throw away or dispense with, as in Zen, but as fuel to be transfomed into powerful wisom-energy pushing one forward on the path.

It is also interesting that the tongue is usually symbolic of the power of voice. "Voice" in Tib. Budd. is synonymous with subtle-energy, and the Sambhoghakaya (that's the Budd. aspect of the Holy Spirit).

Flyingmojo


--------------------
"The most beautiful thing we can experience is the mysterious. It is the source of all true art and all science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed."
Einstein

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post Mar 30 2006, 08:37 PM
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Never heard of this one before.
Just when I thought the world was weird enough.
This is one tale even I couldn't have imagined, and my imagination is pretty wacky sometimes.
Thanks for pushing the boundaries of my imagination further in a direction I didn't even know existed.
Any idea what powers were conferred upon this Tibetan sorcerer as a result of this practice?

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