QUOTE(Nero @ Sep 5 2006, 09:34 AM)
Interesting idea, although I have never heard anyone else question that Tetragrammaton = YHVH.
It is the accepted "truth", but that doesn't mean we cannot question accepted concepts. Although Tetragrammaton is rarely used within modern circles except when dealing with grimoric magick. I had always assumed the use of Tetragrammaton came about due to the inablity to read and write hebrew very well. The medieval authers weren't known for their hebrew scholarship.
NERO!!
(how'd the triA go for you? . . . . you still on YM?)
Far be it for me to question accepted truth (IMG:
style_emoticons/default/hmm.gif) . . . well . . .
I'm certainly not trying to suggest that Tetragrammaton doesn't generally equal YHVH . . . but that their are other aspects to the value of Tetragrammaton in addition to the more general Tetragrammaton = YaHoWaH.
I'm getting information about the formula of the Triangle (in its current "evolved" state), with the suggestion that Tetragrammaton is utilized instead of YHVH very specifically . . . not simply to avoid YHVH (for whatever theological or scribal reasons)
Certainly Tetragrammaton is prevelent in grimoric magick . . . but also in evocational magick . . . and to some degree any magick that focus' on a loci of manifestation (talisman consecrations...).
And its really that, that Tetragrammaton seems to me resonant with . . . the loci of manifestation.
Granted, the old boys sometimes didn't get thier hebrew perfect . . . they did seem to get the four-lettered words right for the most part though.
I guess the real crux (and the real point of my question) is to verify the follow:
"The formula of the classic Triangle of Art would be broken if the "barbarous word" Tetragrammaton were replaced with YHVH."
(I certainly understand that other, self-styled, magicians have made and effectively used Triangles were all the words have been replaced . . . Boobs, LOL . . . thats reall an entirely different issue though)
In this regard tho,
"each word is an important part of the formula of the whole . . . and the whole is "tuned" by its applied geometry with regards to the process of manifestation through the union of two parts of a tripolarity (as opposed to the more abstract duality) into the functional (foundational ?) third component."
"Turn the angle, tune the tool."
(my impression is that the difference is in how "Tetragrammaton" functions with the other two greek barbarous words)
I'm just trying to either make sense of that or reject it as useless/inacurate information.
Smasher . . . Yeah, basically.
This post has been edited by palindroem: Sep 7 2006, 03:56 PM