Aphor. 9 reads like an expanded 'as above, so below'. I've been using a personalised version of the Aphor. 14 prayer, just as one way of involving myself with the text. I think I'm responding to the simplicity... the Arbatel doesn't feel inane, or out to impress. And, something it shares with all the best grimoires, it's a mystic's handbook. Following its teaching honestly and without prejudice (post-modern or otherwise) would definitely lead to some brilliant results. Though, I'm still getting my head round the idea of pre-determined secrets (I spose they're some kind of buffer, keeping the magician away from any requests that might threaten his relationship with God). I like the Arbatel's sigils too. Must be part of its Greco-Renaissance inheritance to keep things clean and angular. I don't think I'm any closer to those nuggets of knowledge you've hinted at though... What about the other 8? Are they....lost......?
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Every man is sociable until a cow invades his garden
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