Some Enochian Rituals Options

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AOIVEAE ("Stars")


An Enochian Pentagram Ritual
This ritual and commentary is © 2000-2001 by Ialprg Iadnamad (Scott Michael Stenwick).

This Pentagram ritual is written entirely in the Enochian (Angelic) language and incorporates techniques from the Golden Dawn Greater and Lesser Pentagram Rituals and Aleister Crowley’s Star Ruby and Liber Reguli, plus a few innovations of my own. I have found it to be a very effective banishing and invoking ritual for use with the Enochian system. Note that it is not required that you use an Enochian banishing to work with the Enochian system; I have known some magicians who work the system extensively and use Crowley’s rituals or those of the Golden Dawn. My personal preference is to avoid mixing systems, and this ritual is intended for those of a similar mindset.


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Part I: The Tablet of Union
The ritual begins with the tracing of the elemental pentagram over the body of the magician as the Angelic names of the five elements are intoned. On the Tablet of the Watchtowers, the element names form the central cross, which is called the Tablet of Union. The Tablet of Union can also be drawn as a grid of letters, like so:

E X A R P
H C O M A
N A N T A
B I T O M
In the Angelic language, EXARP (which I pronounce EX-arp) is the name for elemental air, HCOMA (HCO-ma) is the name for elemental water, NANTA (NAN-ta) is the name for elemental earth, and BITOM (BI-tom) is the name for elemental fire. EHNB (EH-nub), the word formed by taking the first letter of each of the other four elements, is the name for Spirit, the fifth element that binds the other four together.

Face the east. If you are working in an Enochian temple with the Holy Table in the center, stand to the west of the Table so that you are looking across it to the east, since you always face the Table when it is present in the temple. Trace from your left hip to your right shoulder, visualizing a black line connecting those two points. Intone NANTA (earth).
Trace from your right shoulder to your left shoulder, visualizing a white line connecting those two points. Intone HCOMA (water).
Trace from your left shoulder to your right hip, visualizing a green line connecting those two points. Intone EXARP (air).
Trace from your right hip to the center of your forehead, visualizing a red line connecting those two points. Intone BITOM (fire).
Trace from the center of your forehead to your left hip, visualizing a shimmering electric blue line connecting those two points and completing the pentagram. Intone EHNB (spirit).
Clasp your hands over your heart and intone either IAD (i-AD - God) or the name of your Holy Guardian Angel if it is known to you. Regardless, you will want to use IAD in any public ritual so that you will not reveal the name of your Holy Guardian Angel to onlookers.
This charges the body of the magician with the magical energy of the five elements.

Part II: The Kings
Once the magician has been empowered, the next step is to evoke the King of each direction at the four quarters of the temple. The names of the Kings can be found by tracing a spiral pattern over the center of each quadrant of the Tablet of the Watchtowers. The Kings are evoked using pentagrams of the four elements placed at the four cardinal directions following the arrangement of the banners (fire in the east, water in the south, air in the west, and earth in the north). The form of the ritual, banishing or invoking, is determined by the direction in which the pentagrams are traced, as in the Greater Ritual of the Pentagram. Once each pentagram is completed, the symbol of the ruling planet for the appropriate cardinal Zodiac sign is traced in a color that is complementary to the color of the pentagram. This is a technique taken from the Golden Dawn system called flashing colors, which is also used in the construction of talismans. Once the figures are traced, the magician then vibrates the name of the appropriate King. Finally, the magician retires in either the Sign of Silence (for the banishing form) or the Sign appropriate to the element (for the invoking form). This sequence is repeated for each of the four directions, after which the magician returns to face the east, completing the circle.

In the east, trace the pentagram attributed to the element of Fire in red, and then trace the symbol for Mars in the center of the pentagram in green. Vibrate the name BATAIVAH (ba-ta-i-VA), retiring in the Sign of Silence in the case of a banishing or the Sign of Fire in the case of an invocation.
In the south, trace the pentagram attributed to the element of Water in white, and then trace the symbol for the Moon in the center of the pentagram in black. Vibrate the name RAAGIOSL (ra-a-gi-o-SAL), retiring in the Sign of Silence in the case of a banishing or the Sign of Water in the case of an invocation.
In the west, trace the pentagram attributed to the element of Air in green, and then trace the symbol for Venus in the center in red. Vibrate the name EDLPRNAA (edl-per-NA-a), retiring in the Sign of Silence in the case of a banishing or the Sign of Air in the case of an invocation.
In the north, trace the pentagram attributed to the element of Earth in black, and then trace the symbol for Saturn in the center in white. Vibrate the name ICZHIHAL (ik-zod-hi-HAL), retiring in the Sign of Silence in the case of a banishing or the Sign of Earth in the case of an invocation.
Return to face the east, completing the circle.
The Kings are attributed to the Sun, so with this step the magician has extended the ritual to include planetary, or macrocosmic energy, and also the physical space of the temple itself. Still, the energy of the ritual remains fundamentally elemental in nature because the Kings are attributed to the solar part of each element rather than the Sun itself.

Part III: The Names of God
The next portion of the ritual aligns the magician with the twelve Names of God. There are three names for each of the four quadrants, and they are taken from the horizontal line that divides each quadrant in half. These Names of God are attributed to the twelve signs of the Zodiac. The magician first places each group of names in the appropriate direction by intoning several short phrases in the Angelic language, and then makes a deosil, or clockwise, rotation that symbolizes the circle of the Zodiac belt. Finally, the magician returns the energy that has been extended to the center.

Make the Sign of Osiris Slain, extending your arms to form a cross, and intone:
RAAS I ORO IBAH AOZPI (RA-as I O-ro i-BAH a-o-ZOD-pi – "In the east is ORO IBAH AOZPI"),

SOBOLN I OIP TEAA PDOCE (SO-boln I o-IP te-a-A pdo-KE – "in the west is OIP TEAA PDOCE"),

BABAGE I MPH ARSL GAIOL (ba-ba-GE I MEH-peh ar-SAL ga-i-OL – "in the south is MPH ARSL GAIOL"),

LUCAL I MOR DIAL HCTGA (LU-kal I MOR di-AL hek-TGA – "in the north is MOR DIAL HCTGA").
Make one full clockwise rotation of the temple while intoning:
MICMA AO COMSELH AOIVEAE (MIK-ma A-o KOM-se-la a-o-i-VE-a-e – "Behold, the circle of stars").
Once the circle is completed, clasp hands over your heart and intone:
OD OL MALPRG NOTHOA (OD OL MAL-perg NOT-ho-ah – "And I, a through-thrusting fire in the midst").
Part IV: Conclusion
If the AOIVEAE is being performed in conjunction with the MADRIAX heptagram ritual or any other magical working, this step is deferred until the conclusion of that rite. The conclusion is essentially the reverse of the first section – once a magical working is finished, the remaining energy is banished and grounded back into the earth.

Clasp your hands over your heart and intone either IAD (God) or the name of your Holy Guardian Angel if it is known to you. Again, you will want to use IAD in any public ritual so that you will not reveal the name of your Holy Guardian Angel to onlookers.
Trace from your right shoulder to your left hip, visualizing a shimmering electric blue line connecting both points. Intone EHNB (spirit).
Trace from your left hip to the center of your forehead, visualizing a red line connecting both points. Intone BITOM (fire).
Trace from the center of your forehead to your right hip, visualizing a green line connecting both points. Intone EXARP (air).
Trace from your right hip to your left shoulder, visualizing a white line connecting both points. Intone HCOMA (water).
Trace from your left shoulder to your right shoulder, visualizing a black line connecting both points and completing the pentagram. Intone NANTA (earth).
Finally, stand in the Sign of Earth for a few moments to ground out any excess magical intention. The ritual is now complete.



What Can you Say?

AOIVEAE ("Stars")
An Enochian Pentagram Ritual

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What Can you Say?

Reading over the ritual as posted, I see that I probably should have included a little more commentary about why the directions and elements are as they are in the version I posted online. I didn't expect anyone to circulate it, though of course you are free to do so and try it out. Obviously, the ritual is not written using the Golden Dawn attributions for the directions and elements. It is based on the system that I was using five years ago based on the arrangement of the 1587 Reformed Tablet combined with the colors of the banners from Kelly's first vision of the four quarters.

I have substantially revised my thinking on this and have put together some new opening rituals in the ensuing years. You can find those here:

COMSELH AOIVEAE (microcosmic): http://www.augoeides.net/story/2006/7/5/155235/3976
COMSELH MADRIAX (macrocosmic): http://www.augoeides.net/story/2006/7/6/15556/09970

I also have the Enochian Ritual Template used by our magical working group online here:

http://www.augoeides.net/story/2006/7/25/161648/447

If you do try these out, feel free to e-mail me and let me know how they work for you. The working group has found them to be quite effective.

Ananael Qaa (Scott Stenwick)
Minneapolis, MN